They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. Could we ever hope to eradicate it? Was not the survival of this fighting instinct proof that war was still needful to us? In the sculpture-room of an exhibition she came upon a painted statue of Bellona. Its grotesqueness shocked her at first sight, the red streaming hair, the wild eyes filled with fury, the wide open mouth—one could almost hear it screaming—the white uplifted arms with outstretched hands! Appalling! Terrible! And yet, as she gazed at it, gradually the thing grew curiously real to her. She seemed to hear the gathering of the chariots, the neighing of the horses, the hurrying of many feet, the sound of an armouring multitude, the shouting, and the braying of the trumpets.!

The second was a clumsy-looking, overdressed woman whom Miss Lavery introduced as “Mrs. Phillips, a very dear friend of mine, who is going to be helpful to us all,” adding in a hurried aside to Madge, “I simply had to bring her. Will explain to you another time.” An apology certainly seemed to be needed. The woman was absurdly out of her place. She stood there panting and slightly perspiring. She was short and fat, with dyed hair. As a girl she had possibly been pretty in a dimpled, giggling sort of way. Joan judged her, in spite of her complexion, to be about forty. The girl turned and went. Joan watched her as she descended the great staircase. She moved with a curious, gliding motion, pausing at times for the people to make way for her.

And suddenly it came to her that this was her Garden of Gethsemane; and a dull laugh broke from her that she could not help. It was such a ridiculous apology for Gethsemane. There was not a corner in which one could possibly pray. Only these two iron seats, one each side of the gaunt gas lamp that glared down upon them. Even the withered shrubs were fenced off behind a railing. A ragged figure sprawled upon the bench opposite to her. It snored gently, and its breath came laden with the odour of cheap whisky. He knocked the ashes from his pipe and relit it. “I want you to give me up that box,” she said, “and to come away with me where I can be with you and take care of you until you are well.”